This is not to be confused with vibrato which is the pulsating variation in pitch, a mainly acoustic technique. Tremolo is the variation in amplitude of a signal, you can increase and decrease the speed of the variation. Tremolo: a trembling effect that originated in acoustic technique and then was replicated for electronic and digital simulation. Reverb occurs naturally within any space and can be recreated digitally, which therefore creates a virtual space. Reverb: an effect that simulates a sound reverberating in a space. It is the effect of tightly-spaced echoes. Sound waves bounce around a space and the reverberation sounds different in every space depending on the size and materials in the space. Gain always boosts a signal, the more you turn up in gain, the more distorted the signal will be. Gain: the input level of an audio signal. Overdrive: a type of distortion, more toned down.įuzz: a type of distortion, more intensified. Loudness: perceived loudness is different as you move up and down in frequency, higher frequencies tend to sound louder than lower frequencies. Level: describes the sound pressure level of an audio signal, not all frequencies within the signal will be at the same level. Distortion often adds sustain, harmonic and inharmonic overtones.Įcho: an effect that simulates an echo, delaying, repeating, and decaying at an amount of your choosing.Įqualization: the process of adjusting the balance between frequency components within an audio signal. In turn, the sound waves will be clipped off at the peaks and sound distorted. You can control the amount of times it repeats, the duration of the repeats, and the amount of the delay time.ĭistortion: an effect that occurs when the voltage needed to reproduce sound waves at their peaks is higher than the amount that an amplifier or speaker is capable of. Here are a couple examples:Īmbience: b ackground noise added to a musical recording to give the impression that it was recorded liveĬompression: reduces the volume of loud sounds and increases the volume of quieter sounds, over all smoothing out the levels of an audio recording and compressing the dynamic range.ĭelay: an effect that delays and repeats a signal. If you choose a guitar patch, it make end up looking like the controls on an amplifier. If you choose a vocal patch, more control settings may appear: These are some of the many available patches for electric guitar and bass (clean guitar, crunch guitar, clean bass): You can change those settings as a new patch and then save and name them for future use. It gives you the controls of an amplifier with preset settings. GarageBand features different patches for vocals, guitars, basses in the library menu. The meaning of the word patch got extended to refer to the settable, memory-stored parameters in an electronic instruments signal processing circuits. Patch cables route signals from one module to another, but electronic instruments now are built with patch memory and the signal routing became all internal. The use of the word patch refers back to analog technology when the first synthesizers were modular synthesizers and the sounds were created and configured with the use of patch cables. The control panel will change depending on the patch you choose.Ī patch is a set of parameter settings, signal routings, and/or patch cable configurations that produces a particular sound on an electronic/electric instrument. Intel and Apple Silicon are both supported.This is the basic controls panel that appears when you have a blank track. White)Īvailable in 32 and 64 bit format, as a VST, VST3, AU and AAX plugin. It is by far the best one I have used to do this. Besides the great sound quality you have in ALL your plugins I found I could easily correct and hide issues in a mix using this unique feature of panning frequencies. WOW !! Your directional EQ plugin is fantastic. It’s just a badass little plugin! (Dave Pensado) So you need more bass at 2 o’clock, less midrange at 11 o’clock and a bit more treble from the left? No problem at all, that’s exactly what this EQ has been made for! DirectionalEQ takes this concept one big step further: now you can equalize all directions in the stereo field independently! With five bands, each of them providing state-of-the-art filter types (including 64 bit processing and 2x oversampling) plus the unique ability to specify the direction in which the channel is operational. L/R or Mid-Side-EQs allow you to treat the two channels or the mid and the side signal simultaneously. Traditional EQs influence the spectrum of the whole stereo field simultaneously.
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